The Jerusalem Fund keeps an archive of its coverage of Mona’s exhibitions at its Washington, D.C. gallery, later renamed Gallery Al-Quds.
It begins with "Effects of Greed, Dreams of Justice" in October 2004, forty-three paintings on the consequences of war in the Arab world, Iraq and Palestinian self-determination, and continues through "The Subliminal Seduction of Spring" in 2012 and the gallery’s 2013 roundup.
Read the full piece at The Jerusalem Fund.
